{"id":1804,"date":"2025-12-04T20:08:03","date_gmt":"2025-12-04T20:08:03","guid":{"rendered":"https:\/\/tutay.pl\/blog\/?p=1804"},"modified":"2026-07-30T12:22:42","modified_gmt":"2026-07-30T12:22:42","slug":"miasta-ktore-graly-wiecej-niz-jedna-role","status":"publish","type":"post","link":"https:\/\/tutay.pl\/blog\/miasta-ktore-graly-wiecej-niz-jedna-role\/","title":{"rendered":"Miasta na ma\u0142ym i du\u017cym ekranie"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Miasta, kt\u00f3re gra\u0142y wi\u0119cej ni\u017c jedn\u0105 rol\u0119<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0105 takie momenty, kiedy przechodzisz znajom\u0105 ulic\u0105 i dopada Ci\u0119 poczucie d\u00e9j\u00e0 vu. Jakby\u015b ju\u017c widzia\u0142 to miejsce \u2014 ale nie na \u017cywo, tylko na ekranie. Polskie miasta maj\u0105 niezwyk\u0142y talent do wcielania si\u0119 w filmowe role, a re\u017cyserzy od dawna korzystaj\u0105 z ich potencja\u0142\u00f3w. W \u015bwiat\u0142ach, fasadach i zau\u0142kach kryj\u0105 si\u0119 opowie\u015bci, kt\u00f3re potrafi\u0105 zmieni\u0107 przestrzenie w bohater\u00f3w r\u00f3wnych aktorom.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Miasto, kt\u00f3re zmienia swoje oblicze<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Wroc\u0142aw od lat udowadnia, \u017ce jest mistrzem charakteryzacji. Na Placu Orl\u0105t Lwowskich Dworzec \u015awiebodzki zagra\u0142 warszawski Dworzec Wiede\u0144ski w<strong> \u201eLalce\u201d<\/strong>, a na Ma\u0142achowskiego, Brzeskiej czy Mierniczej mo\u017cna odnale\u017a\u0107 \u015blady powsta\u0144czej stolicy z <strong>\u201eMiasta 44\u201d<\/strong> czy filmowych ulic getta z <strong>\u201eBiegnij, ch\u0142opcze, biegnij!\u201d<\/strong>. Te rejony Przedmie\u015bcia O\u0142awskiego pokazuj\u0105, \u017ce naprawd\u0119 potrafi\u0105 przenie\u015b\u0107 si\u0119 w czasie \u2014 wystarczy jedno ustawienie kamery, by mury przypomnia\u0142y sobie inn\u0105 histori\u0119, a ulice na chwil\u0119 wr\u00f3ci\u0142y do czas\u00f3w, kt\u00f3re dawno min\u0119\u0142y, cho\u0107 wci\u0105\u017c \u017cyj\u0105 w warstwach miasta.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/tutay.pl\/blog\/wp-content\/uploads\/2025\/12\/Wroclaw_-_Dworzec_Swiebodzki_nieczynny_7530048216.jpg\" alt=\"\" class=\"wp-image-1845\"\/><figcaption class=\"wp-element-caption\">IngolfBLN<br>CC BY-SA 2.0<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">To w\u0142a\u015bnie temu w\u0105tkowi po\u015bwi\u0119cony jest spacer <strong>\u201eWroc\u0142aw w roli Warszawy\u201d <\/strong>autorstwa Aleksandry Szponder, w kt\u00f3rym mo\u017cna do\u015bwiadczy\u0107, jak film zmienia spos\u00f3b patrzenia na architektur\u0119 i miasto.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">Miasto, kt\u00f3re potrafi cofn\u0105\u0107 si\u0119 w czasie<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Warszawa natomiast cz\u0119\u015bciej gra\u2026 Warszaw\u0119. Ale t\u0119 z zupe\u0142nie innego czasu. Plac Grzybowski, niegdy\u015b prowizoryczna p\u0119tla tramwajowa, sta\u0142 si\u0119 ikon\u0105 filmowego absurdu w <strong>\u201eMisiu\u201d<\/strong>. Biurowiec przy Cha\u0142ubi\u0144skiego zagra\u0142 Heathrow, a ulice \u015ar\u00f3dmie\u015bcia \u2014 codzienno\u015b\u0107 PRL-u pe\u0142n\u0105 ironii i dystansu. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dok\u0142adnie ten trop prowadzi przez spacer <strong>\u201eDzie\u0144 pieszego pasa\u017cera! Z Barej\u0105 po \u015ar\u00f3dmie\u015bciu\u201d<\/strong> Ma\u0142gorzaty Lewickiej, kt\u00f3ry pozwala zobaczy\u0107 stolic\u0119 tak\u0105, jak\u0105 Bareja uchwyci\u0142 j\u0105 w swoich komediach: zwyczajn\u0105, a jednocze\u015bnie ca\u0142kowicie filmow\u0105.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/tutay.pl\/blog\/wp-content\/uploads\/2025\/12\/POL_Mis_Bemowo.jpg\" alt=\"\" class=\"wp-image-1846\"\/><figcaption class=\"wp-element-caption\">Hiuppo<br>CC BY-SA 3.0<\/figcaption><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Miasta, kt\u00f3re zachowuj\u0105 pami\u0119\u0107 o historii<\/h2>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">Krak\u00f3w na ekranie pozostaje \u201esob\u0105\u201d. Nie potrzebuje udawa\u0107 \u2014 wystarczy mu jego w\u0142asna historia. Na Kazimierzu Spielberg kr\u0119ci\u0142 <strong>\u201eList\u0119 Schindlera\u201d<\/strong>; Podg\u00f3rze i okolice placu Bohater\u00f3w Getta odtworzy\u0142y dramatyczne sceny z czas\u00f3w okupacji.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/tutay.pl\/blog\/wp-content\/uploads\/2025\/12\/Krakow_-_Plac_Bohaterow_Getta.jpg\" alt=\"\" class=\"wp-image-1847\"\/><figcaption class=\"wp-element-caption\">Fred Romero<br>CC BY 2.0<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Natomiast toru\u0144ska star\u00f3wka wielokrotnie stawa\u0142a si\u0119 planem zdj\u0119ciowym \u2014 cho\u0107by w ekranizacji <strong>\u201eKamieni na szaniec\u201d<\/strong>, gdzie okolice ulicy Ciasnej i zau\u0142ki wok\u00f3\u0142 Fosy Staromiejskiej pos\u0142u\u017cy\u0142y do odtworzenia okupacyjnej Warszawy. Wcze\u015bniej Toru\u0144 zagra\u0142 tak\u017ce w <strong>\u201eRewersie\u201d<\/strong>, w kt\u00f3rym przestrzenie w rejonie ulicy Podmurnej i staromiejskich podw\u00f3rek zamieni\u0142y si\u0119 w t\u0142o powojennej, g\u0119stej od emocji Warszawy.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lublin ma w sobie co\u015b, co sprawia, \u017ce filmowe historie \u0142atwo odnajduj\u0105 tu w\u0142asny rytm. Stare Miasto \u2014 okolice ulicy Z\u0142otej, Rynku, Bramy Grodzkiej i Placu po Farze \u2014 wielokrotnie stawa\u0142o si\u0119 planem filmowym dla produkcji, kt\u00f3re szuka\u0142y miejsca spoza czasu. W <strong>\u201eKlechdach\u201d<\/strong> Paw\u0142a Passiniego te uliczki sta\u0142y si\u0119 przestrzeni\u0105 o ba\u015bniowym rytmie, jakby miasto pami\u0119ta\u0142o wi\u0119cej, ni\u017c pokazuje na co dzie\u0144. W <strong>\u201eKanadyjskich sukienkach\u201d<\/strong> \u0141ukasza Grzegorzka ten sam rejon by\u0142 planem dla wsp\u00f3\u0142czesnej codzienno\u015bci \u2014 ciep\u0142ej, zwyczajnej, pe\u0142nej rodzinnych napi\u0119\u0107. Lublin bardzo cz\u0119sto wciela si\u0119 te\u017c w Warszaw\u0119 \u2014 o czym opowiada spacer <strong>\u201eLublin w roli Warszawy\u201d <\/strong>Aleksandry Szponder \u2014 ale na ekranie zawsze pozostaje sob\u0105: miastem, kt\u00f3re potrafi zbudowa\u0107 emocje jednym kadrem.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/tutay.pl\/blog\/wp-content\/uploads\/2025\/12\/A_Real_Pain_movie_production_in_Lublin.jpg\" alt=\"\" class=\"wp-image-1848\"\/><figcaption class=\"wp-element-caption\">Volodymyr D-k<br>CC BY-SA 4.0<\/figcaption><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">Miasta, kt\u00f3re graj\u0105 prawd\u0105<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0141\u00f3d\u017a od lat jest jednym z najwa\u017cniejszych polskich plan\u00f3w zdj\u0119ciowych, a filmowcy wracaj\u0105 tu nie tylko dla fabryk czy Ksi\u0119\u017cego M\u0142yna. W filmie <strong>\u201eWa\u0142\u0119sa. Cz\u0142owiek z nadziei\u201d<\/strong> cz\u0119\u015b\u0107 scen stoczniowych kr\u0119cono w\u0142a\u015bnie w \u0141odzi \u2014 na terenach dawnych zak\u0142ad\u00f3w przy ulicy Tymienieckiego, gdzie industrialna architektura potrafi\u0142a bez wysi\u0142ku udawa\u0107 Gda\u0144sk czasu strajk\u00f3w. Z kolei w <strong>\u201eZiemi obiecanej\u201d<\/strong> Wajdy najwa\u017cniejsze uj\u0119cia powsta\u0142y przy W\u00f3lcza\u0144skiej i w halach dawnej fabryki Grohmana, a w <strong>\u201ePowidokach\u201d<\/strong> Wajda ponownie wykorzysta\u0142 przestrzenie okolic ulicy Wschodniej, by opowiedzie\u0107 histori\u0119 Strzemi\u0144skiego. \u0141\u00f3d\u017a gra zawsze intensywnie \u2014 bo sama w sobie jest gotow\u0105 opowie\u015bci\u0105.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/tutay.pl\/blog\/wp-content\/uploads\/2025\/12\/Walesa_filmmaking_1.jpeg\" alt=\"\" class=\"wp-image-1849\" style=\"width:472px;height:auto\"\/><figcaption class=\"wp-element-caption\">Artur Andrzej<br>CC0<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Z kolei Bia\u0142ystok na ekranie pojawia si\u0119 rzadziej, ale zawsze bardzo konkretnie. W filmie <strong>\u201eU Pana Boga za piecem\u201d<\/strong> \u2014 a p\u00f3\u017aniej w kontynuacjach tej serii \u2014 wykorzystywano m.in. przestrzenie przy ulicy Lipowej, rejon Rynku Ko\u015bciuszki oraz charakterystyczne zau\u0142ki okolic katedry, bo \u015bwietnie oddawa\u0142y klimat ma\u0142ego miasteczka Podlasia.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tak\u017ce Olsztyn ma swoje filmowe momenty. W dramacie <strong>\u201eCztery noce z Ann\u0105\u201d<\/strong> Jerzego Skolimowskiego kluczowe sceny powsta\u0142y w okolicach Jeziora D\u0142ugiego i na osiedlu przy ulicy Ba\u0142tyckiej \u2014 naturalna, surowa ziele\u0144 Warmii doskonale budowa\u0142a atmosfer\u0119 izolacji i niepokoju.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/tutay.pl\/blog\/wp-content\/uploads\/2025\/12\/Katowice-Srodmiescie_S_-_ul._Zwirki_i_Wigury_1.jpg\" alt=\"\" class=\"wp-image-1850\" style=\"width:568px;height:auto\"\/><figcaption class=\"wp-element-caption\">Marek Mr\u00f3z<br>CC BY-SA 4.0<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">S\u0105 te\u017c miejsca, kt\u00f3re filmowcy wybieraj\u0105 dlatego, \u017ce s\u0105 po prostu autentyczne. Katowice czy Zabrze w <strong>\u201e\u015awi\u0119tej wojnie\u201d<\/strong> nie musia\u0142y w sobie niczego zmienia\u0107 \u2014 wystarczy\u0142 ich naturalny rytm i zwyk\u0142a codzienno\u015b\u0107.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Miasta, kt\u00f3re pami\u0119tamy inaczej<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Filmowe scenerie tworz\u0105 szczeg\u00f3ln\u0105 warstw\u0119 miasta \u2014 tak\u0105, kt\u00f3r\u0105 zaczynasz dostrzega\u0107 dopiero wtedy, gdy wiesz, gdzie spojrze\u0107. Zwyk\u0142y zau\u0142ek zamienia si\u0119 w scen\u0119, plac w t\u0142o opowie\u015bci, a kamienica \u2014 w rekwizyt. Gdy ju\u017c raz to zobaczysz, przej\u015bcie dan\u0105 ulic\u0105 staje si\u0119 troch\u0119 innym do\u015bwiadczeniem.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/tutay.pl\/blog\/wp-content\/uploads\/2025\/12\/Miasto_44_film_01.jpg\" alt=\"\" class=\"wp-image-1851\" style=\"width:624px;height:auto\"\/><figcaption class=\"wp-element-caption\">Mateusz Opasi\u0144ski<br>CC BY-SA 3.0<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Dlatego w TUTAY pojawiaj\u0105 si\u0119 spacery, kt\u00f3re delikatnie prowadz\u0105 t\u0105 drog\u0105. Nie po to, by odhacza\u0107 miejsca z filmu, ale po to, by wej\u015b\u0107 w miasto jak w dobrze uchwycony kadr \u2014 pe\u0142en znacze\u0144 i drobnych szczeg\u00f3\u0142\u00f3w.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">zdj\u0119cie g\u0142\u00f3wne:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/02\/35mm_movie_negative.jpg\">https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/02\/35mm_movie_negative.jpg<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Runner1616 &#8211; film izle<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CC BY-SA 3.0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Miasta, kt\u00f3re gra\u0142y wi\u0119cej ni\u017c jedn\u0105 rol\u0119 S\u0105 takie momenty, kiedy przechodzisz znajom\u0105 ulic\u0105 i dopada Ci\u0119 poczucie d\u00e9j\u00e0 vu. Jakby\u015b ju\u017c widzia\u0142 to miejsce \u2014 ale nie na \u017cywo, tylko na ekranie. Polskie miasta maj\u0105 niezwyk\u0142y talent do wcielania si\u0119 w filmowe role, a re\u017cyserzy od dawna korzystaj\u0105 z ich potencja\u0142\u00f3w. W \u015bwiat\u0142ach, fasadach [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":9494,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[519,510,511,507,413,508,405,518],"tags":[],"class_list":["post-1804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bialystok","category-krakow","category-lodz","category-lublin","category-olsztyn","category-torun","category-warszawa","category-wroclaw"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Miasta, kt\u00f3re gra\u0142y wi\u0119cej ni\u017c jedn\u0105 rol\u0119 S\u0105 takie momenty, kiedy przechodzisz znajom\u0105 ulic\u0105 i dopada Ci\u0119 poczucie d\u00e9j\u00e0 vu. Jakby\u015b ju\u017c widzia\u0142 to miejsce \u2014 ale nie na \u017cywo, tylko na ekranie. Polskie miasta maj\u0105 niezwyk\u0142y talent do wcielania si\u0119 w filmowe role, a re\u017cyserzy od dawna korzystaj\u0105 z ich potencja\u0142\u00f3w. 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